On Fables, the forthcoming release from Ashland, Oregon favorites Slow Corpse, languid soul and gauzy dream pop float effortlessly over a bed of nuanced post-rock melodic complexity. Taut, arrestingly propulsive R&B-tinged melodic hooks ebb and flow against an ever-present undercurrent of woozy psychedelica. Born out of the creative union of artists from very different musical ecosystems, Fables manages to blend seemingly disparate elements together in a record that is both intellectually compelling, absolutely of-the-moment, and just plain catchy as hell.
The brainchild of an EDM producer and a blues guitarist, Slow Corpse was born out of the misty forests and craggy mountains of Oregon in the fall of 2015. Singer/producer Mitchell Winters first rose to prominence as the golden boy of Soundcloud, where he releases electronic music as PALMCO. Guitarist Brenton Clarke cut his teeth as a hard blues and shoegaze informed, one-man-musical-tour-de-force. Winters and Clarke had known each other tangentially in high school and college, and eventually they got together for a casual jam session. “Brenton showed me a riff, I sang a little melody over it,” Winters tell us. “Then we stared into each other’s eyes and simultaneously said ‘let’s make song babies’. It’s been going ever since.”
Following the release of their first two EP’s, Hound and Moons, Slow Corpse added multi-instrumentalist Cole Zollinger (Bass), hip-hop producer Dash Curtis (Keys), and Kelvin Underwood (drums) to their roster, creating a live band that has mesmerized crowds and seen the band opening for the likes of The Decemberists, Fitz & the Tantrums, Paul Wall, and more. In the fall of 2017 they signed to Portland, OR indie stalwart Tender Loving Empire, where they join the ranks of indie darlings Andy Shauf, Y La Bamba, and Typhoon.
Fables is the result of a multi-year migration through the Pacific Northwest, written and recorded in whatever space the duo found themselves residing at a given moment. “Always small spaces, bathrooms, sometimes closets… but I always name my wifi Palmco Studios” says Winters. Produced and mixed by the band, it was mastered by Adam Gonsalves (Radiation City, Burials).
Lyrically, the record runs the emotional gamut and is a broad-stroke snapshot of the reality of a post-millennial twenty-something. “People don’t need a message from the record” says Winters. “I just want people to come to our shows and dance with me.” Crack the cover on Fables, lose yourself in the spellbinding melodic narratives, and you’ll find that’s a near certainty.
Bitch Don't Kill My Vibe (3:46)